Hi friend and Welcome!
The Sony MDR V6 studio monitor series headphones may just be the best headphones for mixing under $100! Before I get into why.. grab a snack, sit back and relax because,
You’ve come to the right place!!
What I will bring you in this review
- Video Review
- Amp/DAC requirements
- Who these headphones benefit?
- Final Word
Now without further ado, let’s get rolling!
Sony MDR V6
- best price: check amazon! | check eBay!
- type: closed back
- fit: circumaural
- impedance: 63 Ohm
- frequency response: 5Hz – 30 kHz
- material: plastic, a bit of metal, pleather
- color: black, blue, red/pink, some gold
The Sony MDR V6 is a highly regarded, closed back audiophile headphone that is at it’s best in a studio environment. It’s extremely flat, and won’t really amaze you in anyway. It’s a mixing/reference can that proves to be very honest and neutral in it’s sound signature & presentation. It boasts a pristine clarity, but isn’t bass heavy. What the V6’s will give you is a tight, clear, controlled bass but nothing overpowering. It’s nothing like Beats by Dre, as these aren’t really made for bass-heads.
What is the difference between Closed back vs. open back headphones?
What’s startling to me about the MDR V6’s is that they have been around since the early 80’s, and maybe even late 70’s. If you look closely enough, you will see these around everywhere. They will last you a LONG time, and are about as reliable as it gets for studio monitoring. The sound spectrum is flawlessly represented here, although there may be a slight grain in the mid-range at first. You will start to hear things in recordings that you previously thought absent.
They are very closely related to their younger brother, the Sony MDR 7506. The only real differences are that the 7506 is said to have a bit more bass, but the treble end is compromised. Consumers wanted a top end with more clarity, and trust me it’s clear as crystal. But it’s also a bit harsh/shrill/sibilant. What does sibilant mean?
Check out my article on the Sony MDR V6 vs. MDR 7506 for an in depth discussion on the subtle differences!
- Long life. As mentioned above, there have been people raving about the longevity factor with these. Being that they came out before I was even born, you can see why. If the term revolutionary could ever be used properly in context, it would be regarding these headphones.
- Nearly indestructible. These have a proven track record of being some of the most rock solid headphones on the planet.
- Trusted. These will be your go to solution, and they have proven time and again to deliver results in a studio monitoring environment as well as a casual setting. Some reviewers claim to have had them anywhere from 10-25 years.
- Plug. All metal plug with strain relief is a nice added touch. It contributes greatly to their build and reliability over time. Uses a 3.5 mm jack with 1/4″ adapter.
- No amp needed. They will play plenty loud on anything you use them with.
- Also good for gaming because of that comfort factor, and the fact that you can hear very subtle nuances in sound.
- Excels in both critical and casual listening situations
- Very comfortable. Across the board this was an almost universal consensus.
- They fold up nicely, but aren’t really meant for on the go situations due to the coiled chord.
- Ear cushions will need to be replaced after some time, and the ear-cup may actually fall off. This was one of the main gripes with the V6’s. Being that I’ve owned the 7506’s, I can attest to this problem. The 2 are nearly identical, and the ear cup issue was one of my main dislikes about the phone.
- A few reviewers have said that the left (or right) side has gone out after about a year + of use. Perhaps they got a lemon.
- Don’t do well on the go, being that the coiled cable is bulky. It’s also non detachable.
Check out the video review/unboxing!
These don’t need an amp, and by most accounts they sound plenty loud enough with any of your portable devices. There were a few reviewers who mentioned that the sound and bass is boosted a bit overall with an amp like: The Fiio E10K
One reviewer in particular said that he had previously owned them years back, loved them, but was not as impressed with the sound after he bought them years later. Only when he added a portable Amp/DAC combo did he recall that amazing sound again.
I would say you can always add an amp later if need be, given how many people were really impressed with them right out of the box.
Who these headphones benefit?
People looking for a flat neutral sound, conducive to mixing. Critical listeners.
Casual listeners looking for a crispy, uncolored sound. They do great with:
- live monitoring
A very neutral, flat, and even sounding set of headphones. They will not amaze you in anyway in regards to bass response, but the low end is tight and controlled. Overall they give you a pristine clarity and are some of the longest lasting cans in existence. Main gripe is the ear-cup issue. Other less common complaints are:
- somewhat loose construction
- left or right side of ear going out
- folds when you don’t want them to fold; i.e. a bit flimsy
I should note again that these are true monitor/reference headphones. If the mix is bad you will know right away. You will also be able to decipher a good mix pretty easily as well.
These are still around after 30+ years for a reason. They are solid, reliable, flat, and true to mixing. I would probably buy these if I had to choose a set of studio headphones to last me the rest of my life.
Well that’s about it for today folks! I hope you’ve enjoyed my rundown of the Sony MDR V6 studio monitor series headphones.
What do you think about them?? Let me know!!
Questions? Comments? Requests? Did I miss the mark on something? Let me know in the comments below or Contact me!! I would love to hear from you..
Until then, all the best and God bless..