Big Shoutout to FiiO for sending the K5 Pro demo unit for comparison to the K3!! I am not being compensated for this review, but they were kind enough to let me keep the units. Thank you for your continued support!
Before we get started, check out Apos Audio. They are a great up-and-coming distributor with a phenomenal-looking website and excellent customer service. They also offer free shipping, the lowest price guarantee, a 2-year warranty, and a now 45-day return!
- 12/22/19. Added Video Comparison/Article cleanup. Added Shoot 4 images. Added Album covers and OST.
- 5/14/20. Added note about Tidal Exclusive Mode in the Sound Section! Thanks to STX for the comment. 🙂
- 2/2/21. Article/link cleanup.
2,894-word post, approx. 4-5 min. read
The article still needs:
- Stu’s Notes
Hey there friend, and Welcome aboard!!
Let’s start with a quick chart!
FiiO K3 vs. K5 Pro
Before we get into the FiiO K3 vs. K5 Review & Comparison, grab a snack, sit back and relax because..
I’m Here to Help!!
Table of Contents
Features & Usage
Ergonomics & Power
- Price: Check on Amazon! | Check B&H!
- Capability: Up to 32-bit/384kHz.
- Stereo Crosstalk: ≥70 dB (1 kHz).
- Outputs: 1x Coaxial, Line, 1x 3.5mm headphone jack, 1x 2.5mm balanced
- DSD Support: Yes, 64/128/256.
- Output Impedance: 1.04. What is Output Impedance?
- Output Power (Single Ended): 220 mW @ 16 Ohms, 120 mW @ 32 Ohms.
- Output Power (Balanced): 320 mW @ 16 Ohms, 200 mW @ 32 Ohms.
- Output Voltage: 7.39 Vp-p.
- Digital Outputs: Coaxial: RCA for 192 kHz, Support DSD64 DOP
Optical Out: Up to 96 kHz.
- Inputs: 1x Type-C USB.
- Signal-to-Noise Ratio: ≥113 dB.
- THD: ≤0.004%.
- Frequency Response: 20Hz to 80kHz.
- Op amp: Low Pass Filter Op Amp: Texas Instruments OPA1612, Driver Op Amp: 2x OPA926
- USB chip: XMOS XUF208.
- Dimensions: 2.8 x 2.3 x 0.9″ / 70.0 x 58.0 x 22.0 mm.
- Weight: 83 grams.
- Warranty: 1 year.
- Power: Bus powered, 5 VDC 500 mA.
- Features: Bass boost, Gain switch.
FiiO K5 Pro
- Price: Check Amazon! | Check B&H! | Check Apos Audio!
- Capability: Up to 32-bit/768kHz.
- Stereo Crosstalk: ≥75 dB at 1 kHz.
- Outputs: Stereo RCA, 1/4″ / 6.35 mm Headphone.
- DSD Support: Yes, DSD512.
- Output Impedance: 1.2 Ohm.
- Output Power: 1.5W @ 32 Ohm.
- Inputs: 1x Type-B USB.
- Signal-to-Noise Ratio: ≥115 dB (A-Weighted).
- THD: ≤0.004%.
- Frequency Response: 20Hz to 80kHz.
- Op amp: LPF Op Amp: Texas Instruments OPA1642, Driver Op Amp: Texas Instruments TPA6120
- Dimensions: 4.7 x 5.1 x 2.2″ / 12.1 x 13.0 x 5.5 cm
- Weight: 436g.
- Warranty: 1 year.
- Power: 15VDC, 1.5A
- Gain Switch: 0, 6, 12dB
The build of both of these units is fairly solid; the K5 is significantly heavier than that of the K3 and that’s to be expected; given the K3’s much smaller footprint and a knack for portability.
The K5 isn’t hefty by any means – it’s actually fairly light for a unit of this stature, but still feels pretty solid overall. It’s a bit lighter than the iFi Zen DAC/Amp, coming in at 436g vs. 491 for the Zen. The K3 is only 82g by contrast but still doesn’t feel cheap.
At 1.08 lbs., the Zen does feel more substantial as a full-time desktop amp, but I still love the way the K5 looks and feels sitting on my desk.
The K3, though light, was an upgrade over the E10K in the weight department as well. It feels a bit more robust than it’s older, more stone age looking brother. Related: FiiO K3 vs. E10K [The Definitive Guide]
Both switches on the K5 feel great to flick, while the large ADC volume knob on the front is mega satisfying to turn.
The K3’s ADC volume pot actually feels just a smidgen more robust, and both the gain switch and bass boost feel satisfying as well. The K5 Pro doesn’t have a bass boost, but like the E10K, its gain switch is a bit easier to flick on and off than the circular configurations on the K3.
Both units come with some adhesive padding for desktop use, but the K3’s are longer cylindrical pieces vs. the button adhesives on the K5 Pro. The original E10K utilized these buttons as well, and overall I think they’re more effective. What’s cool about the K5 Pro is that they have already been fitted with some out of the box, and you have 4 more at your disposal that has been included separately if need be.
All connections on both units feel nice and robust. There’s a sense that these are indeed quality units that will hold up over time, and also work in a myriad of ways as well.
Features & Usage
I’ve always felt like FiiO gives plenty of bang for your buck in all of their products. To this day I still have an E10K sitting on my desk because it’s so valuable. I can do plenty of things with it, and the K3 only improved on that notion.
The K3 has:
- Line Out. An incredibly useful feature is that you can use the K3 as a DAC into any amp that supports line in/out. I personally have used the K3 with JDS’ Atom to fine effect, and have used the E10K with a few different amps as well.
- Coaxial Out. Use this to connect to anything that supports coaxial in (TV, Receiver, etc.)
- Optical Out. Same as above.
- USB Audio 1.0 & 2.0. The cool thing about the K3 is that you can literally plug it in and start playing music without any drivers via USB 1.0. If you want to use USB 2.0, just go to FiiO Support, and download the USB DAC driver. Related: What is a USB DAC? Then, simply turn the unit off and disconnect everything (basically a reboot). Now you can use USB 2.0, which supports DSD256 and up to 32-bit/384kHz. The USB 1.0 section only supports up to 24-bit/96kHz files.
- Balanced 2.5mm Headphone Input.
- Standard 3.5mm Headphone Input.
- Bass Boost. The bass boost here is a little too much for my tastes, and I normally leave it off in most instances. I do think the boost on the original E10K was done more tastefully.
- Gain Switch. You’ll need this for some harder to drive headphones, but I wouldn’t rely on the K3 for anything more than say an HD600 (300 Ohm/97dB Sensitivity)
- ADC Volume Pot. No channel imbalance issues at lower volumes. A complaint I’ve heard quite a bit from regular volume pots of the past.
- LED Indicator. Supports DSD, as well as file formats up to 32-bit, 384kHz. The Small Led light next to the volume pot indicates the format you’re in. Blue is 44.1 or 48kHz, Yellow is anything above 48kHz, and Green indicates you’re playing a DSD file.
- USB Type-C Input.
So you’re getting all of that for just a hair over $100. It’s pretty amazing if you ask me. It’s just really valuable and makes a perfect entry-level foray into the audiophile world.
The K5 Pro is a bit different, but still just as awesome (if not more so). Let’s take a look at what it has:
- RCA Analog Outputs. This is a great feature in that you can hook the amp up to separate studio monitors/speakers and play the music that way. What are Studio Monitors?
- RCA Analog Inputs. You can also use the RCA ins to receive a signal from a source (for instance a separate DAC). Right now I have the iFi Zen Blue hooked up to the K5 and I’m playing music wirelessly through my phone! Just snag a pair of RCA to RCA cables.
- Optical Input. This is my favorite feature of the K5, as I can output the signal from my PlayStation 4 into the K5’s Optical Input and use it as a gaming rig! What’s even better? Plug it in and sound is coming from the K5 into my headphones instantaneously. No need to even mess with the audio settings inside the PS4’s control panel/dashboard. For you lazy slobs, this is the amp to get! XD
- Coaxial Input. Receives audio via any of your devices that support Coaxial Out (TV, Receiver, etc.)
- USB Type-B Input. You’ll be using this most often with your computer.
- 15 VDC Power Jack. Plug this into a wall outlet for powers.
- Input switches. The K5 Pro comes with 3. They are labeled 1, 2, and 3, with S, L, and U next to each number respectively. 1-U is for USB, 2-L is for Line In or Line Out, and 3-S is for S/PDIF I presume (it’s labeled Coax or Optical).
- 3 level Gain Stage Switch (0, 6, 12dB). This is my second favorite feature on the K5 Pro, and they label it with one circular dot, 2 circular dots, or 3. I’d feel comfortable driving most any headphones with this unit. On middle gain with the HD600, I’m finding there’s plenty of headroom. I’m on about 12-1 o’clock and find it more than enough. I still have one more (high gain) to play with if I need it. This will mostly be utilized with harder to drive planar magnetic headphones that aren’t very efficient. I’m thinking 91-94dB cans like some HIFIMAN offerings, AKG, etc. The HD600 sits around 97dB and isn’t too hard to drive out of most amps (even the K3 does pretty well with it).
- 6.35mm Headphone Input.
As you can see, the K5 Pro is capable of quite a bit as well. Let’s take a look at power output, and find out which one of these gains an edge (no pun intended).
To be blunt, the K3 is fairly underpowered on paper but surprisingly drives my HD600 pretty decently even despite only pumping out 220mW into 16 Ohm and 120mW into 32 Ohm. Do be aware that the gain has to be on and you’re pretty much maxing it out, but it does get loud enough.
The K5 by contrast supplies 1.5W (1,500mW) at 32 Ohm and is rated for 16-300 Ohm headphones. Keep in mind this suggestion is being somewhat conservative. As mentioned before, I’d feel just fine driving a less efficient headphone out of the K5 Pro.
The main takeaway is that the K3 really isn’t designed for higher impedance, low sensitivity cans, and I wouldn’t rely on it for most inefficient HIFIMAN’s or AKG’s. It’s just powerful enough to drive an HD600.
The K5 Pro however is built for harder-to-drive headphones and in that way should become a mainstay on your desktop for a long time!
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Click to see the K5 in action!
Here I had the Zen Blue paired with the FiiO K5 Pro, with the Zen DAC on top.
Here I was comparing the K5 to the K3.
Experimenting with DSD and MQA files inside Tidal and Audirvana
- FiiO K3 DAC Chip: AKM AK4452
- FiiO K5 DAC Chip: AKM AK4493
- K3 Amp Profile: LPF OpAmp: Texas Instruments TI OPA1612. Driver OpAmp: 2x OPA926
- K5 Amp Profile: LPF OpAmp: Texas Instruments TI OPA1642. Driver OpAmp: Texas Instruments TPA6120
- Source: Tidal (FLAC and Master Files), DSD64/128/256. 16/44, 16/48, 24/44, 24/48, 24/88, 24/96, etc.
- Headphones: Sennheiser HD600, Creative Aurvana Live!, AKG K702
Fortunately for us, this is a really easy comparison and a more significant one than I was expecting. It’s not that one was necessarily better than the other; rather they both have a different flavor, and which you prefer comes down to your sound preference.
Even when I say significant, it’s still pretty subtle of a difference in the grand scheme of things. With some tracks, you might not even be able to notice.
For instance, on A.CHAL’s “Matrix”, I didn’t hear anything vastly different going on. On Cautious Clay’s “Blood Type”, The K3 perhaps sounded slightly more open, and a bit cleaner. The K5 seemed to have a warmer tilt.
After these 2 tracks, the sound differences did start to manifest a bit more clearly.
The overarching theme was that the K5 Pro is more of a relaxed listen. It’s more melodic and fluid sounding vs. the colder, cleaner, and somewhat more brash sound of the K3.
Brash doesn’t necessarily denote a negative connotation, but in relation to the K5, it’s definitely more in your face, forward, and aggressive sounding.
This notion was also very much apparent in Common’s “Little Chicago Boy”. It’s just edgier sounding coming out of a K3. Colder. More sterile. Common’s voice is a bit more prominent/forward in the mix as well. It kind of jumps out at you. The K5 Pro by contrast sounds warmer, more relaxed, and more laid back. It’s a more inviting sound overall.
On “Doves in the Wind”, by Kendrick Lamar and SZA, I found more of the same to be true. The K3’s vocals were more forward, with the overall sound being snappier than that of the K5 Pro.
On Odie’s “Noise” and “Night Terrific!” it’s more of the same. You can make out more of his subtle vocal inflections. He sounds a bit crisper through the K3. On the K5 pro, he comes across slightly warmer. Out of the K3 at 19 seconds (Noise), his breath can be heard a bit more clearly.
A Note About Tidal
If you’re having trouble getting the K5 Pro to display Yellow (to indicate Master tracks in Tidal above 48kHz), don’t fret! Here’s what to do:
In Tidal, go to File, Settings (or Ctrl P) > Streaming. Now scroll down until you see “Sound”. Right underneath is “Sound output”, but in smaller letters next to it reads: (More settings). Click that and you’ll see Exclusive mode. Tick that box and the color should change to Yellow, indicating the Master File is above 48kHz. 🙂 This same concept applies to the iFi Zen as well!
Thanks to STX below for that comment!!
Album List & Soundtracks
More on the way
Fallout 1 OST
Fallout 2 OST
Donkey Kong Country 2 OST
Which of these you go with depends on many factors that we’ve previously discussed. The K3 can technically be used with your phone (and an appropriate adapter), but you may just end up with a dead battery, as it’s bus-powered and should be used on your desktop primarily. The K5 is strictly a desktop amp and should be treated as such.
If your preferences lean more towards warm, lush, fluid, and inviting, the K5 Pro is the better option. If you like a leaner, cleaner, more sterile, and aggressive sound, the K3 performs very well. It’s just going to be snappier sounding overall, with a slightly more revelatory character. Detail-oriented cats will love the K3, while more laid back homies will prefer the K5 Pro. I also think the K5 fares better over longer listening sessions; you’ll want to kick back and let the music play without wanting to skip around quite as much.
It was really cool to be able to use the K5 with the iFi Zen Bluetooth DAC. I’m also loving the optical input, as it becomes a dedicated console gaming rig if I so choose.
If you like a warmer sound, need a great amp for PC or console gaming, and/or want to hook this bad boy up to some studio monitors, I’d invest in the K5 Pro without hesitation.
If you prefer a somewhat colder sound, own easier-to-drive headphones, and/or plan to utilize the balanced jack, the K3 makes a fantastic option. It’s also very versatile and can be paired up with any amp that supports line in/out.
Well, that’s about it for today my friend! I hope you’ve enjoyed this FiiO K3 vs. K5 comparison.
Questions? Comments? Requests? Did I miss the mark on something? Please let me know down below or Contact me!!
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Which of these Amp/DACs fits your needs better? I would love to hear from you. Until next time…
All the best and God bless,