Hi there friend and Welcome aboard!!
Before we get into the Grado SR225e Review, grab a snack, sit back and relax because…
You’ve come to the right place!!
What I will bring you in this review
- Build & Comfort
- Amp/DAC requirements
- Who benefits?
- Thoughts from Stu’s Notepad
- Final Word
Now without further ado, let’s get rolling!!
- Price: Check Amazon! | Check eBay!
- Driver Type: Dynamic.
- Operating Principle: Open-air.
- Fit: Supra-aural (On-ear).
- Frequency Response: 20Hz – 22kHz.
- Sensitivity: 99.8dB/mW.
- Impedance: 32 Ohm. What is Headphone Impedance?
- Material: Plastic, Leather, Foam.
- Weight: 12.6 oz.
- Inputs: 3.5mm, 6.35mm (1/4″)
- Cable Length: 5 ft.
By now it might seem like I’m beating a dead horse and we’re only 4 headphones into the e line.
Is the 225e the same old story?
Let’s dive in and take a look.
Build & Comfort
So we’re 4 deep into the line with roughly $125 added cost, and pretty much nothing has changed yet.
This isn’t good.
The 225e continues the tradition of flimsy/cheap build quality but your mileage may vary with regard to how long they hold up.
I’ve spoken with people who have had theirs for upwards of 10-20 years, and others for only a few months before breaking down.
In any event,
everything about the build (headband, adjustments, cord, etc.) is the same except for the pads.
Instead of the S-cushions, the 225e now employs the L variety.
Unfortunately, this pad variation is the worst in the line and feels awful on your ears.
If the 60e, 80e, and 125e were all average to slightly above average in terms of comfort, the 225e is well below average to downright poor.
This is essentially due to the fact that there isn’t any place for your ear to rest except squarely on the outside of the driver.
The outside of the cups will also dig into your ear lobes while the rest of your ear is brutally assaulted by the extremely hard surface of the material covering said driver.
All in all, the experience here has actually gotten worse if you can believe it.
But how do they sound? Are there any differences between the 225e vs. the others?
Well yes actually, but only because of the pad switch.
What you’ll find is that because there’s no pad material covering the insides, it results in a more crisp, open, and airy sound – even more so than the previous iterations.
But is this actually a good thing?
Well, not really, and here’s why.
If I heard that obnoxious 2kHz peak before, it’s even worse now.
Furthermore, the treble around 10kHz receives an incredibly obnoxious boost by about 15dB (!!!), and it’s simply over the top and excessive to the point of near absurdity.
Can you honestly say that’s objectively okay?
I would say absolutely not.
The bass and low mid-range are both still solid (as with previous models), but the mids are still a big problem and now the treble is extremely out of line.
Does it make them sound brighter and livelier?
Sure, but at the expense of destroying your hearing.
The clarity and impact are also still there, but they’re now very metallic and artificial sounding due to that treble peak.
The Soundstage continues in the vein of being very open and spacious, and it’s something I’ve always enjoyed about Grado headphones.
I definitely got the impression that things were going on around me and that’s always a plus. What is Soundstage?
As far as the bass is concerned, it’s got some pretty nice impact, as per my notes.
I wouldn’t consider this a basshead’s headphone by any stretch, but it will definitely deliver for the most part.
You may not purchase this primarily for stuff like EDM and Hip-Hop due to the roll-off, but it will work regardless.
- Tight bass.
- Nice impact.
- Clarity and detail. No muddiness.
- Comfort excellent.
- The treble spike seems to have gotten worse.
- 2kHz peak is still very problematic.
- The bulky non-detachable cable is a huge annoyance.
In other words, no amplifier is needed although because of the bulky cable, you’ll probably want to plug them into something like a K5 Pro.
Who do these headphones benefit?
They work pretty well with all genres but do keep in mind the issues mentioned above. Some of my favorites include:
- Indie Pop
- Progressive Jazz fusion. Think of the band Chon. The 225e will fare well with stuff that involves crunchy or smooth guitars.
Thoughts from Stu’s notepad
- I used a NAIM DAC V-1 paired with an Oppo Receiver for testing, and primarily listened to Chon’s “Homey” album. I also used the 225e’s with my Android (Samsung Galaxy S5) and Spotify. They were almost as good, but with the DAC there is a pretty nice sound upgrade overall.
- I wouldn’t necessarily purchase an amp for these, but it will make for a slightly better experience. For the most part, these are meant to work with mobile devices, phones, etc. due to their low impedance and high sensitivity. What is Sensitivity in Headphones?
The Grado SR225e continues the e line, now with L-cushion pads and a seemingly crisper sound.
Clarity and detail are still there in spades, and the Soundstage is also above average, but the mid-range and treble still present significant issues and essentially ruin the overall experience in my estimation.
Unfortunately, I cannot recommend the 225e today because of the problems discussed, but if you’d like to experience the Grado sound, try a 60e first (it’s now the 60x) and see if you like it.
From the 60e to the 225e, the sound signature hasn’t changed but we’re now looking at roughly $200 for what is essentially the same product repackaged.
The 60e provides roughly 90-95% of the standard Grado sound and should be considered first before even thinking about buying anything else.
Looking for my best recommendations under $100?
Well that’s about it for today folks! I hope you’ve enjoyed this Grado SR225e Review.
Questions? Comments? Requests? Did I miss the mark on something? Let me know down below or Contact me!
What do you think about these? Do YOU think they’re worth the investment? I’d love to know!!
Until next time…
All the best and God bless,