HomeThe BestThe Best Headphones for Hip-Hop [In Depth Guide]
January 27, 2018
The Best Headphones for Hip-Hop [In Depth Guide]
4,310-word post, approx. 8 min. read
9/13/19. Article clean up. Removed outdated HD558 and replaced it with SR60e. Added CB-1 and Superlux HD330 for closed back under $100 options. Added Aeon Flow Closed to High End.
1/25/21. Article/link cleanup.
Kalimera friend and Welcome aboard!!
This is part 6 in a 7 part series on Genre, which takes a nostalgic look at some of my personal experiences with various types of music, games, and pop culture over the years. Check out the others if you would like! Suggestions for how to improve? Contact me or leave a comment below!
Before we get into the best headphones for Hip-Hop, grab a snack, sit back and relax because..
I’m Here To Help!
What I will bring you in this article
Introduction & some history
Final Word and Link to official reviews
Before we get started, just know that I’m bound to get long-winded in this one. So grab a couple of snacks and a drink, because depending on how much you enjoy hip-hop music and the culture as a whole, you may enjoy my ramblings and nostalgia! If not, you can just skip it. 😀
I’ve always been a fan of Hip-Hop music, but my tastes have definitely changed since I was a lad. I was first introduced to it in middle school. It’s interesting in that I never even knew what Hip-Hop was from a baby up until about 5th grade. I was never exposed to it, in part because I came from a Rock n’ Roll household. Learn more:The best headphones for Rock music.
It wasn’t until about 6th grade did I start listening to it, and for the most part, the material was
vulgar to say the least. My first real experience with Rap music was DMX’s 1998 album Flesh of my flesh, blood of my blood. In fact, to this day I have inadvertently memorized pretty much the entire album. As a man of God, I’m not really proud of that, but it is what it is. I was young and naive and thought that the lyrics were cool. It’s amazing that our minds can process stuff like that and keep it stored for a lifetime!
It’s also encouraging to hear that Earl Simmons (DMX) has indeed found God, and abandoned his former lifestyle (or is trying to). He still has some issues including a drinking problem, but I pray that God is working it out in his life. I feel deep down that he still has a calling, and hope that he does get it together. The most important thing is that he’s striving. The man has been through a hell of a lot in his life, and I can’t even begin to imagine the half of it.
It’s also important to note that despite all of the over the top cursing, vulgarity, and despicable subject matter, there was a track at the very end that acknowledged God in his life. Called “Ready to meet him”, Earl Simmons pours his heart out to God in prayer and then proceeds to deliver a powerful message over a metaphysical and divinely inspired instrumental.
Anyhow, I digress. Much of the Rap I listened to in the early days was very commercialized. I’ll admit it. But here’s the thing: A lot of it is now actually considered good because the current crop of mainstream artists is even worse! It’s scary to think that at one time, Outkast was considered mainstream. Nowadays they’re what people really miss about Hip-Hop.
Most of the music that came from these artists is still pretty good and stacked against what’s out now, it really fares extremely well. There are a few here that I’m a bit embarrassed about, including Sisqo and the “Thong Song.” But a lot of it has stood the test of time, with some instant classics abound. Ja Rule in particular was always a guilty pleasure for me. He emerged at a time when the fusion of Rap and R&B actually sounded quite good.
Some artists I was exposed to:
Three Six Mafia
Jadakiss and the L.O.X.
These are some of the artists and groups that I grew up on. Hip-Hop has changed a lot, and what’s now considered good pales in comparison to even the worst of these artists! You can’t deny that the quality has gone down considerably since then.
Gravitating towards better music
As I got a bit older, I realized how much I was missing out on. True hip-hop has never died, contrary to popular belief. In fact, I was that person at one point. I thought that just because the mainstream seemed to be watering everything down to the point of Rap becoming unrecognizable, that meant that there weren’t true artists out there still thriving and making good music.
There was even a point in time where I was a complete snob about it in some ways. I wanted to discover the most underground artists (or even some old school hip-hop that people hadn’t heard) and tell people about it. But I also wanted people to know that I had the best taste and knew about the best hip-hop. Looking back, it was completely ridiculous, but I have to admit that I was a bit immature about the whole thing in some respects.
That was around my late teens and very early 20’s.
I discovered artists like:
Del tha funkee homosapien/Deltron 3030
Souls of Mischief
People Under the Stairs
J Dilla/Slum Village
9th Wonder/Little Brother
Pete Rock & CL Smooth
Lord Finesse and the D.I.T.C.
The Wu-Tang Clan
Eyedea & Abilities
Blackalicious (with Chief Xcel) & Gift of Gab (Solo)
Stoupe The Enemy of Mankind/Jedi Mind Tricks
Jeru the Damaja
DJ Premier & Guru (Gangstarr)
De La Soul
Blackstar (Mos Def & Talib Kweli)
Common Sense (before he was just Common)
Some of these artists may not be considered underground, but to me, they were since I had never been exposed to them before. For instance, Big L was fairly well known while he was alive, but not as known as say Notorious B.I.G. or a rapper like Big Pun.
After that phase was over, I gravitated towards just instrumentals. To this day I prefer beats over rhymes, and I think to an extent it’s always been that way. Once I started making my own beats and sampling in 2009, my priorities changed from listening to creating. There came a point when my perception of Hip-Hop got more and more cynical, as I saw artists basically re-hashing the same lines in different ways, with no one truly setting themselves apart (Flying Lotus is one exception on the production side of it). There are only so many ways you can say you’re nice, you know? I do still appreciate and respect artists that put their souls into it, relating life experiences through their music, and talking about real subject matter that people can relate to. But by and large, I think the culture has gotten extremely gimmicky, even on the underground side of things.
Let me know if you like any of these artists. I would love to hear about your own experiences and opinions on Hip-Hop! I don’t live and breathe it like I used to, but I still enjoy it from time to time. 🙂
Regardless of if you’re listening to mainstream or indie/underground hip-hop, the same principles apply when deciding on a good headphone. Let’s get into some of those considerations now!
I will be updating this page frequently as I try out new headphones, add to, and take away from this list. Think of it as a constantly changing guide that will ebb and flow with the times!!
What is your budget? There are plenty of entry-level models that will get the job done extremely well, but we’ll also cover some higher-end stuff too!
Are you looking for the absolute best? Aside from that being fairly subjective, you will have to be willing to part with more money if you want something really stellar. That said, the law of diminishing returns does tend to kick in after around the $300 mark, so we’ll try to stay realistic today. 🙂
Portable vs. Studio. Will you be using these on the go or in an isolated studio environment? Very important to consider this before making a decision.
Bass. It goes without saying that a good Hip-Hop headphone should have a strong bass response. However, it’s not as crucial as you might think. There are plenty of bass-heavy headphones out there that don’t sound good because they place too much emphasis on the low end. Today we’ll try and focus on headphones that have a good impact but don’t come across as bloated, muddy, or artificial. This will help bring out the mid-range detail and clarity tremendously and makes for a significantly better listening experience as a result.
Should you get an Amp or DAC?
An Amp: If your headphones have a high impedance and/or low Sensitivity, they’re going to resist power and not be as efficient. Impedance is a measure of resistance and Sensitivity is a measure of efficiency. Generally speaking, anything around 97dB and lower is not very efficient and needs more power from the amp to perform optimally. Anything with an Impedance over 100 generally tends to resist power quite a bit. It really just depends on the headphone in question. Contact me for clarification! 🙂
A DAC: A Digital to Analog converters job is to convert the 1’s and 0’s from your computer, into an analog sound that you hear (and vice versa). During a microphone recording, the computer takes the analog (your voice), and converts it into data that it can understand (1’s and 0’s). Basically, either of these exchanges is always happening depending on what you’re doing. The only reason you would upgrade a DAC is if your existing one is crappy. You’ll know because it either won’t be loud enough or just generally sound bad (noise, crackling, etc). What is a USB DAC?
For low impedance headphones, the Sensitivity will usually be fairly high, resulting in a can that generally does well with mobile devices. That said, the quality of the song will still largely depend on the source file, as well as your DAC.
For instance, if you have a bad DAC and buy an amp, you’ll only be magnifying bad sound by raising the volume level. This is why it’s important to consider just what you will need and not need.
At the end of the day though, I’m nitpicking a little. Most entry-level closed backs will sound great and the discrepancies in sound quality are somewhat marginal when you’re starting out.
Now let’s get into the meat of it!
A good Hip-Hop headphone will provide all of the following:
Bass. As discussed earlier, this is arguably the most important component of a good Rap headphone but isn’t the end all be all. There comes a point where too much bass results in overkill, and we want to avoid that at all costs today.
Good mid-range. I don’t know about you, but I’d like to be able to hear some micro-details going on, as well as be able to discern vocals and instruments better. Hip-Hop isn’t all about bass. There are many artists who incorporate a lot of different sounds into their music. The Roots comes to mind as a group that has always placed heavy emphasis on live instrumentation and subtle experimentation. A good mid-range will go a long way in revealing the nuance going on behind the scenes that you may have missed before with other low-grade dog food cans (headphones). 😛
Treble. Treble is important too. We want that sparkle at the top that gives the music some extra flavor, zest, and overall excitement. Spicy!
Instrument Separation and Soundstage.What is Soundstage? This is still important with Hip-Hop because it gives added clarity and depth to the music. The first time I put on the Audio Technica ATH M50, I was blown away. The music had so much life, and not only that but the Soundstage was also very good for a closed back. When you start to think that the sound is coming from the outside, it’s a sign of a very good headphone.
Comfort and Durability. This kind of goes without saying, but I like to be able to wear my headphones for an extended period of time. That said, I personally am a bit more forgiving of comfort than some. Unless the headphone is particularly bad, I can let it slide a little bit and just relegate myself to frequent rest periods. An example of a headphone that I simply cannot recommend because of comfort is the Grado SR325e. When it becomes literally painful to wear, that’s a no go.
Now we can finally discuss some options! 🙂
Entry Level ($0-100)
Audio Technica ATH M40x. Topping the list is the M40x, as I think it’s the best overall buy for an entry-level Hip-Hop excursion. The frequency response of this puppy is perfect for Rap, and still doesn’t come across as too bloated, even though there’s a bump in the mid-bass that can be a smidgen problematic at times. Still, it’s not worth fretting over, as I think this headphone is phenomenal in all aspects. The build is good, comfort is good, and it provides a fantastic overall sound for not much money. Learn more:Audio Technica ATH M40x Review!
Sony MDR V6. This is a headphone that does well for a variety of genres, but I like it for Hip-Hop because of the simple fact that it has an extremely good bass response without becoming overbearing. It’s got a ton of impact and clarity in the mid-range, as well as a sparkling treble. Makes for quite an easy recommendation. The 7506 is similar but has a bit more added bass. Learn the differences here: Sony MDR V6 vs. MDR 7506. That said, the differences are subtle, and you may not even notice. I prefer the V6 as to my ears it’s got a bit better clarity and definition, while also not quite as bright/piercing in the treble area.
Superlux HD330. I was shocked at not only its striking resemblance to Beyerdynamic’s DT770 but also its fantastic bass head sound. This is a headphone that benefits from the velour pads that my friend Cory has employed, but man oh man I had some fun jamming out with these. Would also make great Rock headphones as well. Learn more:Superlux HD330 Review!
Status Audio CB-1. This is a fantastic closed-back headphone that sounds more like an open one. Comfort is phenomenal, and the sound is crisp without being sibilant or overbearing. It also makes for a perfect reference can as well. You’re going to love the Soundstage on this thing. It’s extremely revealing and makes for quite an exciting listen! Learn more:Status Audio CB-1 Over Ear Headphones Review
Philips SHP9500. This has become my new favorite headphone, and in all honesty, it’s astounding how good this puppy really is, especially considering I got one for around $54. Yes, the bass does roll-off, and you may be wondering why I’ve included it here. Because it’s an open back some roll-off is to be expected, but this is likely the only headphone you will need for quite a while, in the open back category or otherwise. The level of detail it provides is mind-blowing, and dare I say it could be a better overall buy than the venerable HD600. Some people may scoff at that notion, but I’m telling you, this is the real deal. It’s about as close as you’ll get to a headphone in the upper echelon and comes uncomfortably close to providing just as good of a sound. I mean they’re basically giving them away. Learn more:Philips SHP9500 Review!
Grado SR60e. Handmade in Brooklyn, NY, this headphone is a real treat to listen to, with its fast transient response, articulate bass (with impact), and a phenomenal sense of detail. The G-cushions provide a nice comfort level, and Soundstage is pretty remarkable for a headphone under $100. Learn more:Grado SR60e Review!
Mid-tier ($100 – 300)
V-Moda Crossfade M100. My personal top pick in this price range, these babies are a real treat. The bass never wears out it’s welcome but comes across with loads of buttery impact, and I can wear them for a long time without too much discomfort. Semi frequent breaks are required though. Add to that they’re extremely durable, and you’ve got a recipe for success! Learn more:V-Moda Crossfade M100 Review!
Beyerdynamic DT770. Similar to the 50x, these are much more comfortable and tend to have more life in the mid-range, which is very important. This along with the 50x are probably the 2 most recommended headphones in this price range for this specific genre.
PSB M4U. An underrated gem, these are incredibly crisp and detailed, while also having an outright awesome bass response that doesn’t ever get to be too much. I sat down with these for 3 hours straight on my most recent visit to Audio Advice and loved every second of it. The build is a bit of a concern, but I think they’re still more than worthy of a spot here. Learn more:PSB M4U Review!
Focal Listen. Out of the congested middle of the pack headphones in this price range, this one places less of an emphasis on that all-important mid-bass and instead opts for a gradual incline going from 100Hz – 200Hz. I very much thought this was a bold move on Focal’s part, and it happens to work out very nicely. I don’t get that bloat in the mid-bass as I do with other headphones that place too much emphasis on this region. Learn more:Focal Listen Review!!
Sennheiser HD25. Some of the fastest, most durable, lightweight, and portable headphones you’ll find. These are incredibly intense and exciting cans that won’t always be the most comfortable. Aside from that, they are perfect for Hip-Hop, as they are made for DJ’s in particular. The bass is strong here as well, but not overdone like your mom’s meatloaf. Learn more:Sennheiser HD25 Review!
Audio Technica ATH M50x. Yep, still a good headphone despite people outright slamming this one in recent years. Bass is crisp, intense, and pleasurable like a warm condom, and the mid-range, though kind of recessed, still gets the job done admirably. Treble is crisp and sparkles of course, and as I said earlier, the Soundstage on these is very impressive given that they are indeed closed. Learn more:Audio Technica ATH M50 Review!
Beats Solo 3. Couldn’t leave this one-off, as it makes a fantastic portable option with its Bluetooth capabilities and wireless profile. Learn more:Beats Solo 3 Review!!
HIFIMAN HE400i. These have a phat bass response (for an open back) as it neither sounds too aggressive nor too rolled off. This is just about the best open back in this price range or otherwise, and though I love the HD600, I think this does better for Hip-Hop without EQ. The 600’s bass tends to roll off a bit too much to be considered a worthy headphone if you’re strictly looking for something Rap. Learn more:HIFIMAN HE400i Review!! That said, for mixing hip-hop, I think the HD600’s are a better purchase. If you were wondering about the HD600: Sennheiser HD600 Review!
Beyerdynamic DT990. This is the quintessential open-back headphone, with a strong bass but an overall airy type of character, which lends itself well to detail and accuracy within the song. They are a bit on the bright side, but I didn’t really notice it as much as others have. This is an incredibly open-sounding headphone with amazing comfort.
High End ($300 and beyond)
Bowers & Wilkins P9. Given that I’m not a huge fan of the P series, I was shocked at how good these were. They sound nothing like a P7, and in fact, are some of the crispest and enjoyable headphones I’ve heard in the closed-back category or otherwise. Now, if they were only black like the rest of the series, they’d be perfect. I’m not a huge fan of the color scheme, but the sound is nearly impeccable. Learn more:Bowers & Wilkins P9 Review!!
Audioquest NightOwl Carbon. These puppies are simply some of the most comfortable headphones I’ve ever worn. They also sound fantastic and do particularly well as a warm set with some nice added bass emphasis. This is a headphone to kick back and enjoy the music. Learn more:Audioquest NightOwl Carbon Review!!
Sony MDR Z1R. These are simply sublime, and will do fantastic with Hip-Hop because the bass is very even and balanced for the most part, and also doesn’t roll off. Out of all the closed-back headphones I’ve personally tried out, the Z1R comes the closest to mimicking a true open back. It’s simply stupendous what these babies are capable of. Learn more:Sony MDR Z1R Review!!
MrSpeakers Aeon Flow (Closed). This is honestly in my Top 5 of best headphones I’ve personally ever heard, and certainly, the best closed back I’ve tried. Pair this puppy with a Chord Mojo and prepare to have your face melted off. It’s really that good. It has this warm detail that strikes an absolutely perfect balance. Add to that its comfort is probably the best I’ve ever experienced and you’ve got yourself a winning combo. Learn more:MrSpeakers ÆON Review!
Simply put: This is the best sounding around-ear, sealed, headphone I’ve heard to date. Tonal balance is spot on but for a very slight emphasis 5-10kHz. Bass is tight, well balanced and does not bleed into the mids. Transition to mids is seamless and excellent. Midrange is excellently balanced; vocals and overtones are very well proportioned giving voices just the right sense of presence and ease simultaneously. Treble is terrifically proportioned as well; cymbals and snares sound very natural. Tyll Herstens, Inner Fidelity
Audeze EL8. These are smoother than a baby’s bottom folks and do extremely well with Hip-Hop if you’re after more of a detailed, effortless sound. I found this beat on Soundcloud to be particularly revealing with these on, as I could hear some micro details that I was missing before. You can even see my comment second from the top! (Stu Pickles) 😛 Bass is like butter homie! Learn more:Audeze EL8 Review!!
Focal Utopia. I don’t think I’ve ever experienced anything quite like the Utopia. This headphone rendered The Roots’ The Next Movement with startling accuracy, precision, detail, and clarity, to the point of simply being unbelievable. It’s really the perfect package but does cost a pretty penny. Learn more:Focal Utopia Review!!
Well, my friend, I hope you’ve enjoyed this comprehensive guide to the best headphones for Hip-Hop. Please let me know if you would like me to add/demo anything, and I will definitely do so if I can! Also, I will be updating this page frequently as I try out new headphones, add to, and take away from this list. Think of it as a constantly changing guide that will ebb and flow with the times!!
That said, this should get you started in the right direction. If I had to choose one on this list for you? The Aeon Flow Closed. Hands Down. It’s just absolutely breathtaking in every regard. Don’t believe me?
Stu is determined to help you make sound decisions, and strives to deliver the best and most in depth content on the internet! In his spare time, he likes to fish, paint, play guitar, pray, rap, make beats, take photos, record videos, graphic design, and more. His sense of humour, coupled with a knack for excellence and strict attention to detail are what allow him to stand out in an crowded industry.